EVENTS
The Summer Indigenous Art Intensive is a month-long residency brings together artists, curators, writers and scholars to engage in contemporary ideas and discourse—a place for new ideas rooted in Indigenous art-making. Each Wednesday throughout July, the Department of Creative Studies hosts a weekly series of keynote presentations and artists-in-residence panel discussions. These gatherings are free and open to the public.
Full details of keynote presentations, artist panels, and local and regional events and exhibitions involving sii18 artists-in-residence and FCCS students can be found below.
Tuesday July 03, 2018
7:00pm - 10:00pm
Infinite Citizen of the Shaking Tent Milkcraters of the Moon Reading Series with Liz Howard hosted by UBCO Creative Writing and Inspired Word Café
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Wednesday July 04, 2018
12:00pm
UBCO Summer Intensive weekly Wednesday series of keynote presentations and artist-in-residence panel discussions. Organized by the Faculty of Creative Studies.
Keynote Presentations: Richard Armstrong, Steven Loft
Artist Panel: Liz Howard, Cease Wyss
University Theatre (ADM026), UBCO
Friday July 06, 2018
until August 18, 2018
Exhibition: gaa-waategamaag Olivia Whetung
Alternator Centre for Contemporary Art, 103-421 Cawston Ave., Kelowna
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Wednesday July 11, 2018
12:00pm
UBCO Summer Intensive weekly Wednesday series of keynote presentations and artist-in-residence panel discussions. Organized by the Faculty of Creative Studies.
Artist Panel: Billy-Ray Belcourt, Meghann O'Brien, Olivia Whetung
University Theatre (ADM026), UBCO
Friday July 13, 2018
6:00pm
Community opening: Ayumi Goto & Peter Morin: how do you carry the land?
with performance by Ayumi Goto and Peter Morin
Vancouver Art Gallery, 750 Hornby St., Vancouver
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Saturday July 14, 2018
until October 7, 2018
Exhibition: Woven Together Ursula Johnson, Meagan Musseau, Meghann O'Brien, Tania Willard, guest curator Jaimie Isaac
Kelowna Art Gallery, 1315 Water St., Kelowna
Click here for more information
Saturday July 14, 2018
until October 28, 2018
Exhibition: Ayumi Goto & Peter Morin: how do you carry the land? Ayumi Goto and Peter Morin with Corey Bulpitt, Roxanne Charles, Navarana Igloliorte, Cheryl L'Hirondelle, Haruko Okano, and Juliane Okot Bitek. Curated by Tarah Hogue, Senior Curatorial Fellow, Indigenous Art
Vancouver Art Gallery, 750 Hornby St., Vancouver
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Monday July 16, 2018
until July 25, 2018
Exhibition: Anthro(a)pologizing Tania Willard
FINA Gallery, FCCS Building, University of British Columbia Okanagan
Tuesday July 17, 2018
12:30pm
Performance: Their Voices Carried Across The Land: Spe pu c'n Mariel Belanger
UBCO Main Courtyard (at the Lodge Sculpture)
Tuesday July 17, 2018
6:00pm
Panel Discussion with Guest Curator Jaimie Isaac and artists Meagan Musseau, Meghann O'Brien, and Tania Willard
Kelowna Art Gallery, 1315 Water St., Kelowna
Tuesday July 17, 2018
7:00pm
Panel Discussion Resonant Presence and Refusals: Four Artists Reflect on Their Practices with Jeneen Frei Njootli, Ayumi Goto, Peter Morin, and Olivia Whetung
Contemporary Art Gallery, 555 Nelson St., Vancouver
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Wednesday July 18, 2018
12:00pm
UBCO Summer Intensive weekly Wednesday series of keynote presentations and artist-in-residence panel discussions. Organized by the Faculty of Creative Studies.
Keynote Presentation:Dylan Miner, Natalie Robertson
Artist Panel: Ryan Feddersen, Jaimie Isaac, Julie Nagam, taisha paggett
University Theatre (ADM026), UBCO
Thursday July 19, 2018
4:00pm - 7:45pm
RSVP to the event: email taniawillard@shaw.ca
Field Trip to BUSH Gallery including performance: Their Voices Carried Across the Land: Spe pu c'n by Mariel Belanger
Saturday July 21, 2018
2:00pm Roving Gallery Performance
Performance: this is not us
Vancouver Art Gallery, 750 Hornby St., Vancouver
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Tuesday July 24, 2018
7:00pm
Keynote Presentation: Richard Van Camp
Milkcrate Records, 527 Lawrence Ave., Kelowna
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Wednesday July 25, 2018
9:00am to 11:00am
FIP 138, UBC Okanagan Campus
Collaboration As a Dance of Trust: In this seminar, Richard Van Camp will share how working with publishers, editors and his hero artists has only made his work and his career even more magnificent. He will share why many writers today do need to work with several agents, publishers and business models to have a business plan that can survive the business of writing.
Please complete the REGISTRATION FORM to attend this FREE seminar.
Wednesday July 25, 2018
12:00pm
UBCO Summer Intensive weekly Wednesday series of keynote presentations and artist-in-residence panel discussions. Organized by the Faculty of Creative Studies.
Keynote Presentation: Ryan Rice
Artist Panel: Carlos Colin, Tarah Hogue, Sarah Shamash
University Theatre (ADM026), UBCO
Thursday July 26, 2018
10:00am to 1:00pm
CCS 142
Uncover/Recover LIVESTREAM
Launch of the web-based projects for the OCADU Indigenous Visual Special Topics course. Hosted by Ryan Rice.
Exhibitions
gaa-waategamaag
Olivia Whetung
July 6- August 18, 2018
Opening reception: Friday, July 6, 6 to 8pm
Alternator Centre for Contemporary Art, 103-421 Cawston Ave., Kelowna
https://www.alternatorcentre.com/olivia-whetung-gaa-waategamaag/
The work in this exhibition explores Mississauga-Anishinaabe place and landscape. Many Anishinaabe and Mississauga place names refer to the water; in fact, the name Mississauga itself refers to water. Navigating within Mississauga territory means having a constant awareness of the bodies of water, even when on land. Roads follow the contours of rivers and lakes, and traffic bottlenecks at bridges. However, the physical waterscape as well as the names used to refer to places have changed over time.
These works focus on one specific place name: gaa-waategamaag. According to historical record this name dates to the late 1800s and was given by Martha Whetung.1It is more commonly pronounced and written ‘Kawartha’, and has been translated as ‘land of reflections’. This name, along with its multiple spellings, embodies a complex set of relations between people, place, and language.
The Reflections series attempts to illustrate this name through beadwork. The artist worked from digital photographs of light reflecting off of water in the area now known as the Kawarthas, editing the photos to create beadwork charts and translating those charts into loomwork. The resulting beadwork shimmers in the light and gives an illusion of surface movement as the viewer moves around it.
1Mae Whetung, History of the Ojibwa of the Curve Lake Reserve and Surrounding Area, Volume I: History of the Mississauga Band (Curve Lake) (Curve Lake: Curve Lake Indian Band #35, 1976), 25.
Ayumi Goto & Peter Morin: how do you carry the land?
Ayumi Goto and Peter Morin with Corey Bulpitt, Roxanne Charles, Navarana Igloliorte, Cheryl L'Hirondelle, Haruko Okano, and Juliane Okot Bitek. Curated by Tarah Hogue, Senior Curatorial Fellow, Indigenous Art
July 14 to October 28, 2018
Opening Reception: Friday, July 13, 6:30pm
Vancouver Art Gallery, 750 Hornby St., Vancouver
https://www.vanartgallery.bc.ca/the_exhibitions/exhibit_gotomorin.html
Ayumi Goto & Peter Morin: how do you carry the land? is an exhibition that presents the performance art and ongoing collaborations of Ayumi Goto and Peter Morin. Their work begins from thinking through their respective positions as a Japanese Canadian woman and Tahltan First Nations man both in terms of deep ancestral knowledges and the way in which their identities and experiences are inscribed by colonialism. Grounded in explorations related to the land, Goto and Morin ask how cultural knowledge and history inform our experience of place, and challenge us to seek new formations.
Woven Together
Ursula Johnson, Meagan Musseau, Meghann O’Brien, Tania Willard
Guest curated by Jaimie Isaac
July 14 to October 7, 2018
Opening reception: Friday, July 13, 6 to 8pm
Kelowna Art Gallery, 1315 Water St., Kelowna
http://kelownaartgallery.com/woven-together/
Woven Together is a group exhibition featuring Indigenous artists Ursula Johnson, Meagan Musseau, Meghann O’Brien, and Tania Willard. Each of these artists’ work relates to the woven basket as a contemporary methodology to explore epistemologies, interwoven narratives, and histories. These artists consider weaving a reflexive practice as the maker’s hands create interlaced actions through a learned, contemplative, and repetitive process binding together layers of knowledge and material. Representing nations from Coast Salish Territory in British Columbia to Ktaqmkuk Territory in Newfoundland, Woven Together entangles practices from the West and the East to unravel intergenerations and intertribal memories of matriarchal kinships, knowledge, and practices.
Anthro(a)pologizing
Tania Willard
July 16 to 25, 2018
FINA Gallery, FCCS Building, University of British Columbia Okanagan
Events
Infinite Citizen of the Shaking Tent
Milkcraters of the Moon Reading Series with Liz Howard
Hosted by UBCO Creative Writing and Inspired Word Café
Tuesday July 3, 7 to 10pm
Milkcrate Records, 527 Lawrence Ave., Kelowna
This is the 3rd reading in the M.O.M. Reading series, a collaboration between Kelowna non-profit arts organization The Inspired Word Cafe, and the Faculty of Creative and Critical Studies. The goal of the series is to foster community and coalition building between our local and institutional art communities by pairing notable Canadian authors from out of town with writers from our own community, as well as to provide a short open mic for other creators to share their work.
Author Liz Howard reads from her book Infinite Citizen of the Shaking Tent. This book won the 2016 Griffin Poetry Prize, the first time the prize has been awarded to a debut collection. It was also a finalist for the 2015 Governor General’s Award for Poetry, received an honourable mention for the Alanna Bondar Memorial Book Prize, and was named a Globe and Mail Top 100 book. Her recent work has appeared in Poetry Magazine, The Capilano Review, Camera Austria, and The Walrus. Howard received an Honours Bachelor of Science with High Distinction from the University of Toronto, and an MFA in Creative Writing through the University of Guelph. She has been appointed the 2018-2019 Canadian Writer-in-Residence at the University of Calgary. She is of mixed European and Anishinaabe (Ojibway) descent. Born and raised on Treaty 9 territory in northern Ontario, she now lives in Toronto and assists with research on the aging brain.
Panel Discussion Resonant Presence and Refusals: Four Artists Reflect on their Practices
Tuesday July 17, 7:00pm
With Jeneen Frei Njootli, Ayumi Goto, Peter Morin, and Olivia Whetung
Contemporary Art Gallery, 555 Nelson St., Vancouver
Join us as four artists reflect together on the many shared concerns if their practices, with the discussion moderated by CAG Curator Kimberly Phillips and Tarah Hogue, Vancouver Art Gallery's Senior Curatorial Fellow, Indigenous Art. A collaboration between the Contemporary Art Gallery and the Vancouver Art Gallery, this event seeks to register and draw out issues of hospitality, presence and the politics of refusal on the occasion of these artists' concurrent and upcoming exhibitions in Vancouver.
Collaboratively produced by the Contemporary Art Gallery and the Vancouver Art Gallery. Space will be limited; please RSVP to 604 681 2700.
Panel Discussion with Guest Curator Jaimie Isaac and artists Meagan Musseau, Meghann O’Brien, and Tania Willard
Tuesday, July 17, 6pm
Kelowna Art Gallery, 1315 Water St., Kelowna
this is not us
Saturday July 21, 2:00pm
Roving Gallery Performance
Vancouver Art Gallery, 750 Hornby St., Vancouver
This performance by Ayumi Goto, Tarah Hogue, and Peter Morin activates three portrait masks carved by Haida artist Corey Bulpitt commissioned for the exhibition Ayumi Goto and Peter Morin: how do you carry the land?. The portrait masks both protect the face from view while revealing a likeness and draw upon histories of ceremony and theatre across cultural contexts. What becomes visible in this encounter?
Keynote presentation with Richard Van Camp
Tuesday, July 24
Milkcrate Records, 527 Lawrence Ave., Kelowna
Richard Van Camp (2018 Writer-in-Residence) is a proud member of the Tłı̨chǫ Dene from Fort Smith, Northwest Territories. He is the author of two children’s books with the Cree artist George Littlechild: A Man Called Raven and What’s the Most Beautiful Thing You Know About Horses? His novel, The Lesser Blessed, is now a feature film with First Generation Films; his collections of short fiction include Angel Wing Splash Pattern, The Moon of Letting Go and Other Stories, Godless but Loyal to Heaven and Night Moves. He is the author of four baby books: Welcome Song for Baby: A Lullaby for Newborns; Nighty Night: A Bedtime Song for Babies and Little You (now translated into Cree, Dene and South Slavey!) and We Sang You Home, and he has two comic books out with the Healthy Aboriginal Network: Kiss Me Deadly and Path of the Warrior. His graphic novel, Three Feathers, is about restorative justice; his new novel, Whistle, is about mental health and asking for forgiveness and his graphic novel, The Blue Raven, is about mental health and the power of culture and friends. His Eisner nominated graphic novel, A Blanket of Butterflies, is about peacemaking where a grandmother is the hero of the story and his latest graphic novel, Spirit, is about suicide prevention. Cinematic adaptations of his work include “Mohawk Midnight Runners”, by Zoe Hopkins based on Richard’s short story, “Dogrib Midnight Runners” from The Moon of Letting Go, Kelvin Redver’s adaptation of “firebear called them faith healers”, and Jay Cardinal Villeneuve’s adaptation of “Hickey Gone Wrong”, based on Richard’s comic book with Chris Auchter and “Three Feathers”, which is available for viewing in Bush Cree, Dene and South Slavey as well as English, based on his graphic novel. Richard is offering a public reading as part of the Milkcraters of the Moon Reading Series.
OKANAGAN CAMPUS
3333 University Way
Kelowna, BC Canada V1V 1V7
Tel 250.807.8000
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